Only produced in exceptional years and then only in very small quantities so as not to undermine the quality of the main Beaucastel cuvée. 2007 is quietly sensational and should be left alone for a few more years yet.
Product Code: RH29011
View all products by Famille Perrin
The Perrin family is behind a bewildering number of enterprises. First there is Château de Beaucastel, the phenomenally successful Châteauneuf-du-Pape estate. La Vieille Ferme is a négociant division supplying significant volumes of well-priced wines from the Luberon and Ventoux. Grand Prébois is both a bottling hall in Courthezon and a brand of own-vineyard Côtes-du-Rhône and Vin de Pays. There is also an operation in California, providing Rhône vine stocks to Californian growers, and making wine under the Tablas Creek label. Then there is Perrin Père et Fils which groups together the other Perrin-owned vineyard and grape contracts. The Perrins are very important growers in Vinsobres, a recently promoted cru much loved by Society members, and also own vineyards in Gigondas, Vacqueras and Cairanne. It sounds like quite an empire, but retaining the personal touch across all interests and generations is the secret of the success of this exceptional family. Their wines are easily some of the most consistent and quality-conscious in the Rhône valley, because they are made with the same standards, philosophy, and respect for the environment that have made their flagship, Beaucastel such an iconic name.
In many ways Châteauneuf-du-Pape in the southern Rhône just north of Avignon, is the birthplace of the appellation controlée system in France. The Baron Le Roy, owner of Château Fortia, with the co-operation of his peers drew up a set of rules in 1923. Initially the regulations drawn up by the good Baron specified 10 grape varieties which could be used to make the wines, and when official AOC status was conferred in 1936 this became 13, and when revised again in 2009 the number of varieties permitted rose to 18. To be fair, the 18 include variations on varieties rather than adding new ones but it is still a number that represents the pragmatism of the rule-makers in the face of the plethora of grapes used by various growers.Indeed, although Châteauneuf is famous for its large, heat-radiating galet stones, the soils of the 3,200 hectares of vineyards in the AC are also diverse, ranging from the galets to pebbles, clay, sand, iron-rich limestone, marl, quartzite and sandstone with combinations and variations thereof. Almost all are alluvial, deposited by the shifting course of the Rhône over millennia having been left behind by retreating glaciers, and most are what might be described as impoverished. Many growers own land in different parts of the AC and so possess an assortment of terroirs. The land is relatively flat with the highest altitudes being some 120m above sea-level. The most famous vineyard area is Le Crau, which is covered with galets and on which the renowned Domaine du Vieux Télégraphe is among the owners. Some wines are blends across terroirs, but there are an increasing number of single-vineyard or terroir bottlings.The common factor to all areas is the heat of the growing season, made even more arid by the action of the mistral winds which carry away moisture. Temperatures during the growing season can reach 40oC, and ripeness in the grapes is rarely a problem, particularly in those terroirs where the galets act as storage heaters, soaking up the heat of the day and radiating it back at night. In fact, Châteauneuf-du-Pape has the highest minimum required alcohol level of any AC in France at 12.5%, though in reality most reds reach 14.5% quite easily. Some growers have planted vineyards with a northerly aspect to reduce the effects of the sun. Grenache, syrah and mourvédre are required under the AC laws to be pruned as gobelet or bush vines, without wires or trellises, in order that vine can shade the fruit to some extent and retain moisture within its shade.90% of Châteauneuf-du-Pape’s production is red, principally utilising grenache noir and often with the support of syrah and mourvédre. The remaining grapes, including white varieties that will make the 10% of production bottled as such or co-vinified with red varieties, are cinsault, counoise, vaccarese, terret noir, muscardin, picpoul noir and blanc, picpoul gris, grenache blanc, grenache gris, clairette blanche and rose, bourbulenc, roussanne and picardin. In theory a producer can use all these varieties in one blend. Château de Beaucastel is one domaine which has used all 13 of the originally specified varieties in their bottlings. Oak is used in reds or whites by many growers to mature their wine though not all do so, and the wood might be new, old, small barrels or huge vats. White wine is made using a variety of the grapes mentioned above. They are usually full-bodied and aromatic, and the best examples can age wonderfully.With the natural sugars in the red wine grapes being high, it is important that the grapes are allowed to reach phenolic ripeness, in particular that the tannins are balanced. Generally, the vine stems are removed from bunches, and some winemakers use carbonic or semi-carbonic maceration to emphasise fruit flavours.
2007 was an outstanding vintage in the Rhône. The quality shone right across the appellations north and south from the humblest Côtes-du-Rhône to the grandest Châteauneuf.Conditions throughout the vintage were remarkable. April was like high summer and flowering was a month early. Many were expecting a particularly early harvest but after hot June and July weather a little rain fell and cool August days were unkind to tourists but allowed the grapes to finish ripening slowly, particularly as night time temperatures were chillier still. The Mistral winds blew and there was hardly a drop of rain in the Rhône as August gave way to September. Blue skies and cool nights predominated during the harvest, and those who picked later rather than earlier were rewarded with the best wines as phenolic ripeness caught up with sugar levels.Northern Rhône2007 is unquestionably a great northern Rhône vintage which, unlike the more Burgundy-like 2006, is thoroughly Mediterranean in style and flavour. Syrah ripened to perfection but without excess and those cool nights meant wines with beautiful balance. Southern RhôneEverything was perfect in 2007, with just enough rain to see the vintage through and the Mistral wind playing a vital role in September when it cleared the skies throughout the harvest. It shares many of the traits of the great 1990 vintage but is on an even grander scale.Those cool nights that contributed to the success of the reds has also helped to ensure a fine vintage for white wines, with fragrance and freshness underpinning the ripe fruit flavours. The best will reward patience.
There are no member reviews for this product. Click the 'Leave a Review' button to be the first.
There are no press reviews for this product.
Log in to view notes
The Wine Society does not pre-moderate star ratings on products. Ratings published without comment will be published immediately.
The Wine Society does pre-moderate written comments on articles and reviews on products. This means that comments and reviews, and any related ratings, will not be published instantly; they will first be checked by the moderators. Moderators will be monitoring the site between 9am and 5pm Monday to Friday and will endeavour to process comments and reviews within 48 hours of submission.
Moderation is intended to ensure that content published on The Wine Society website is of value to members and is fair and balanced.
We will normally approve comments for publication as long as they:
We reserve the right to suspend ratings, comments and reviews at any time. Where we choose not to publish a rating, comment or review for a reason other than those listed above, we will reply to the member concerned by e-mail explaining our reasons and inviting them to make appropriate changes so that the rating, comment or review can be reconsidered. We also reserve the right not to publish reviews that mention other wine merchants and competitors.
We may wish to use your comments and ratings in our literature or elsewhere online. Unless you specify otherwise, you are therefore agreeing in posting your comments that The Society has the right to use, edit, publish in any media, delete and/or store the whole or any part or parts of that post, and may quote you by name, without charge and without reference to you or anyone else.
The Society's wine buyers work very closely with our suppliers to determine how best to seal our wines. We list below those closures currently in use with a brief description of each.
A technical cork made up of the remnants from the production of natural corks which are ground down into particles and cleaned and then combined using a food-grade polyurethane glue. A cheaper closure which The Society's buyers discourage suppliers from using.
A technical cork made from cheaper-grade natural cork where the naturally occurring pores are filled with ground down cork particles and then the whole is sealed with a food-grade wax coating. Generally only used for wines with a short shelf-life.
Diam corks look like agglomerate corks but are far superior and are designed to put an end to cork taint and random oxidation. The production process chops cork into pieces and sorts the superior, highly elastic, suberin component from the less elastic lignin, which is discarded. It mixes the suberin with microscopic spheres of the same substance used for contact lenses, which fills the voids between the cork particles reducing porosity to air and increasing elasticity without introducing humidity. Finally the pieces are mixed with a glue and moulded under pressure. The mechanical properties of the cork are guaranteed for a certain minimum number of years depending on the grade of cork - for example Diam 2 is guaranteed for two years; Diam 3, 5 and 10 are also available.
The Champagne cork is 90% agglomerate made from cork off-cuts which are ground down, cleaned, compressed and then glued together with two disks of good quality natural cork glued onto the end which protrudes into the bottle.
Natural corks harvested from the cork oak (Quercus suber) forests in Spain and Portugal have been the closure of choice for wine for the 300 years. The bark of the cork oak is stripped from mature trees every nine years. The planks are stored and then cleaned and graded before the corks are punched out of the wood. For wines destined for long-ageing, high-grade natural corks are still the closure of choice.
Cost-effective synthetic 'corks' made from food-grade plastic with a silicone coating (similar to that used on natural corks). Generally used for wines for short-term cellaring.
A glass stopper with a plastic 'O' ring which acts as an interface between the top of the bottle and the stopper, held in place by a metal, tamper-proof seal. Relatively expensive as a closure and not widely used. Can be removed by hand.
A short natural or agglomerate cork with a plastic or wooden top to enable the stopper to be removed by hand. Traditionally used for whiskies, sherries, Madeira etc.
Aluminium alloy screwcaps made with an expanded polyethylene wadding for the lining. Screwcaps are also known as ROTEs (roll-on tamper evident) or by the brand name (Stelvin is a popular brand). Widely used in Australia and New Zealand and for wines for short-term cellaring. Becoming increasingly sophisticated in terms of allowing differing levels of permeability so mimicking the properties of natural cork offering winemakers more choice depending of the style of wine being made. There is still a lack of sound data regarding the performance of screwcaps for longer-term cellaring.
This is an agglomerate cork with a disk of good-quality natural cork adhered to both ends. A reasonably priced, reliable alternative to natural cork.
This is the metal pilfer-proof cap usually used to seal beer bottles but also used in the production of Champagne and sparkling wine when wines are stored under crown cap before the dosage is added. A few producers use crown caps to seal wine bottles. Open with a standard bottle opener.
Jamie Goode has written an excellent book on the subject of closures for those wishing to find out more (Wine Bottle Closures, Flavour Press).
Alcohol by volume%
Units per standard bottle
The Society includes the alcohol by volume percentage figure for each wine available online, in Lists and offers.
It is generally accepted that alcohol levels in wine have been increasing in the last 20 years. There are many reasons why, but the single most important factor is the vast improvement in vineyard management techniques which have resulted in healthier, riper fruit being harvested. Alcohol is a by-product of the fermentation of sugars in the grapes and the best-quality wines are made from grapes that have reached physiological ripeness (colour, flavour and tannin), and this generally happens after sugar ripeness.
There are several techniques that can be used to reduce alcohol levels but currently most are intrusive and strip flavour as well as alcohol and we don't buy wines made in this way. In actual fact, more than half of our still table wines have an abv of 13% or less. Members looking to choose wines with lower levels of alcohol can now search our range by level of alcohol.
Excellent-quality wine is at the heart of everything we do at The Wine Society and balance is the single most important feature of quality. The interaction of a wine's main components of sugar, acidity, tannin, alcohol and flavour matter more than the actual level of alcohol. A well-made wine of 14.5%, for example, will taste more balanced than an inferior-quality wine with 10% alcohol. Furthermore, alcohol levels are only a guide to a wine's fullness: a 12.5% cabernet sauvignon may feel heavier and more full-bodied in the mouth than, say, a gamay of 13.5%. Members should refer to the wine's tasting note for a description of the style and fullness of the wine.
The Society is committed to promoting the responsible enjoyment of wines and spirits by providing relevant information to our members that allows them to make their own informed choices. An additional figure is beginning to be used on labels: the number of (UK) units of alcohol contained in that bottle. This is simply the alcohol by volume percentage multiplied by the content. Thus a 13% wine in a standard 75cl bottle will have 9.7 units of alcohol. All new labels of Society and Exhibition wines will include this information. drinkaware.co.uk
The Society's buyers provide recommended drink dates for all of our wines to help members decide the right time to pop the cork.
Should be drunk over the coming months, certainly within the year.
Now to 2016
Ready to drink now but will keep until 2016.
2018 to 2042
We recommend keeping longer before opening. In 2018 it will be ready to drink but still young and will keep until 2042. It's a matter of personal taste when such wines should be drunk. Many members prefer to try the wines over many years from the opening drink date to the last to watch the wine evolve.
Within one year of purchase
A non-vintage wine that should be drunk within 12 months.
Within two years of purchase
A non-vintage wine that is ready now but will keep for two years.
As a general rule, most everyday white wines are best enjoyed within a year of purchase, and most everyday reds within two years.
Certain fine wines, however, those with the right structure and balance, have the ability to evolve over time and gain complexity and finer nuances of flavour.
Savouring the wonderfully complex and intense bouquet and flavour of a wine drank at its peak is undoubtedly one of life's greatest pleasures. As with people, the ageing process will vary from wine to wine. Over the years the wine's primary aromas of fresh fruit will develop more complicated and persistent secondary and tertiary aromas. The fruity flavours of, for example, a premier cru white Burgundy will, over time, evolve buttery, toasty and yeast aromas, or fine reds may develop coffee, cedar, tobacco, vegetal, or even 'animal' flavours as they age.
There is much pleasure to be had by experimenting with bottles at different stages of maturity; finding out how a wine evolves with age and, perhaps more importantly, establishing your own preference in terms of taste for mature wine are all part of the interest and excitement of cellaring wine.
The drinking window we provide is a guide to when the wines will be at their best. Many will favour the wines in the youthful early stages of their development; others will enjoy the wines at their most mature.
Decanting is a useful way of softening the tannins, rounding out the flavours and releasing the potential of a young wine. To find out more please visit our Serving Wine guide.
The Society's purpose-built, temperature-controlled Members' Reserves offers members access to optimum storage conditions for their wines.
For more help and advice about how best to enjoy your wines contact us via our enquiry form.
Oak plays a very important role in the production of wine throughout the world. However, the level of oak detectible in a wine can vary depending on a number of factors – for example, the age and size of the barrel and the type of oak used, as well as the length of time the wine is aged in wood. Oak also influences the structure and tannins of the final wine. For wines on our website, we use the following classifications:
This suggests that a wine has either seen no oak at all, or may have been produced using very large, old oak barrels, resulting in a wine that has no taste of oak. Expect these wines to be crisp, fruit-forward and aromatic.
Some oak has been used in the production, yet it has not been a defining factor in the style of the wine. In this instance, the oak may have played more of a part in the structure of the wine but there will still be discreet flavours associated with the use of new oak.
Wines that are defined by and known for their use of new oak. This must not be confused with a wine which is 'overly oaky' as that would purely be down to bad winemaking! We buy only wines that, we believe, use oak in a balanced and appealing way, enhancing flavour and complexity, and/or imparting structure.
How detectable oak is depends a good deal on the size of the barrel and how new it is. New oak provides a much more evident flavour and aroma and must be used carefully. The size of the barrel is important, as the smaller the barrel, the more surface area of the wine is in contact with the wood and the more flavour will be drawn out. Often, very large old oak barrels are used, which impart little or no oak flavour to the wine at all. They will still bring an extra dynamic to the final taste of a wine though, when compared to stainless steel or concrete vessels, as oak is porous and therefore lets a small amount of air into the barrel. This controlled oxidation has a positive effect on wines, softening the tannins and developing secondary flavours, all helping to add a complexity which comes with age.
There are many ways that people rate wines, whether it is on the 100 or 20 point scales, 5 stars, 3 glasses or simply thumbs up or down. The pleasure of a bottle of wine is hard to express in figures, but it does help give the memory of that wine a context, and a way of sharing your opinion with others.
In response to members' requests we have added a star rating option to the site so you can mark your favourites, or maybe those occasional less-than-welcome experiences, and make your next order easier.
You can use the 5-star rating tool to record your experiences however you wish, but if you are looking for some guidance we believe that a focus on the 'value' of the wine takes into account the quality but also the pleasure it provided, and whether it is something you would recommend to friends.