Champagne Pol Roger
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From well-sited vines in the Lot Valley, this is always a benchmark for Cahors. Argentina may have stolen some of their thunder in recent years, but Cahors is the original home of the malbec grape. The blend here is 80:20 malbec and merlot which creates just the right balance: a wine that has structure yet roundness too along with gentle brambly fruit and good length.
Product Code: FC34961
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Cahors has been famous for its sturdy reds since the Middle Ages. Its success is based on the malbec grape which here is known as the auxerrois. This thrives in conditions where summers are generally warmer and drier than in Bordeaux making wines that are fuller-bodied. The Bernède family have worked the 38 hectares at Clos La Coutale, situated on the best soil in the Lot Valley, for six generations. The vineyards are south-west facing and protected from the cold winds that come down off the Causses plateaux of the Massif Centrale, so that the grapes ripen well and a shade earlier than some parts of Cahors.
Most of the wine regions representing the south-west of France are linked by river to Bordeaux and were once rivals of the Bordelais for trade. It was certainly not unknown for some of these wines to be brought to Bordeaux in order to stiffen the sinews of some of the thinner clarets in days gone by. However, there is more to the region than those appellations and the Vins de pays/ IGPs up-river of their erstwhile rival.The south-west can be roughly compartmentalised in to four categories, as follows:Bergeracois: running along both banks of the Dordogne River and including Bergerac, Monbazillac and other ACs where Bordeaux varieties proliferate, ably and interestingly supported by some local varieties.Garonne: running along both banks of the River Garonne as far as Agen and featuring Côtes-de-Duras, Côtes-du-Marmandais, Buzet.Haut-Pays: the area north and north-west of Toulouse including Gaillac, Cahors and the Côtes-du-Frontonnais.Pyrenees: in the area between Adour and the Pyrenees. Here you will find Côtes de Gascogne, Madiran, Jurançon, Pacherenc du Vic-Bilh and Irouléguy, the latter of which is in real Basque country in the foothills of the Pyrennes, close to the Bay of Biscay. The influence of the Atlantic Ocean is surprisingly strong even this deep inland and it merges with continental and alpine elements across such a large area to provide moist spring weather and wet winters counterbalanced by hot summers and long, sunny autumns just as the grapes are ripening. Naturally, the area is great enough in size for the soils to be incredibly varied across it. Alluvial and marine soils, often gravel and limestone respectively, are common factors in many areas, the former often on rising terraces above rivers or ancient watercourses. In many appellations and IGPs it has taken the dynamism of forward thinking, passionate cooperatives and visionaries to save the vineyards and indigenous grape varieties of these regions from serious neglect or even extinction. The devastation of phylloxera around the end of the 19th century was particularly bad in these areas and it was not really until the 1970s, and even later in some cases, that a turnaround in fortunes occurred. The roll call of local varieites is impressive and promising – abouriou, arrufiac, baroque, duras, fer servadou, jurançon noir, len de l’el, petit manseng, gros manseng, mauzac, négrette, tannat and peiti courbu. It is a region that should make a curious wine lover’s mouth water.
"I have found it difficult to find a really good Cahors wine outside of France. My search is over. The classic Malbec taste with a fruity roundness. Excellent."
I would recommend this wine
"This is excellent value for the price. I have already ordered more! Lovely black fruit with a hint of spiciness. Much better than the Argentinian Malbecs that I have previously drunk."
"This 2016 is drinking very well right now. Medium bodied with lots of tasty elements combined in an expressive and aromatic whole. Clos La Coutale is a minor classic which is wonderful value for money."
There are no press reviews for this product.
"For the price point this is a really excellent wine. Dark fruit (WS review says 'brambly fruit' which is probably right), medium acidity and light bitterness, makes this a great food wine. Medium-thin body keeps this light and refreshing. Punches well above what was expected for a Tuesday evening. A glass turned into a bottle between two which is always a good sign. Very happy with this, one to definitely buy again, now the 2016 as 2015 is sold out. Almost a shame that this is labelled Malbec and not Cot, commercial reality I suppose. "
Mr Martin J Whalley (17-Jul-2018)
"A beautifully constructed wine with ripe,concentrated, fruit and well integrated medium tannins. The artisan-quality barrel ageing gives great breadth of character with good length. It's a softer style of Cahors than the gunpowder-black 100% Malbecs and fun to compare alongside say, Ch. Montplaisir 2015 to fully appreciate the Clos La Coutale personality. Astonishing value at £8.50. Has sufficient structure to take some cellaring. Yum."
Mr Alan Kingsbury (08-Mar-2018)
"Cahors? In a blind taste it could be any entry level french red that someone might inflict on you at a party. Its just bland plonk. Compared to the wonderful Corbieres and Minervois the society is selling at similar price points, it's a non starter as a an example of a regional wine. this is one for the sangria!"
Mr James Brown (04-Sep-2017)
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We do moderate comments and reviews, purely to ensure that content published on The Wine Society's website is of value to members, and is fair and balanced. We're delighted to say that in the vast, vast majority of cases, our members' input is just that! We will normally approve comments for publication as long as they:
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The Society's wine buyers work very closely with our suppliers to determine how best to seal our wines. We list below those closures currently in use with a brief description of each.
A technical cork made up of the remnants from the production of natural corks which are ground down into particles and cleaned and then combined using a food-grade polyurethane glue. A cheaper closure which The Society's buyers discourage suppliers from using.
A technical cork made from cheaper-grade natural cork where the naturally occurring pores are filled with ground down cork particles and then the whole is sealed with a food-grade wax coating. Generally only used for wines with a short shelf-life.
Diam corks look like agglomerate corks but are far superior and are designed to put an end to cork taint and random oxidation. The production process chops cork into pieces and sorts the superior, highly elastic, suberin component from the less elastic lignin, which is discarded. It mixes the suberin with microscopic spheres of the same substance used for contact lenses, which fills the voids between the cork particles reducing porosity to air and increasing elasticity without introducing humidity. Finally the pieces are mixed with a glue and moulded under pressure. The mechanical properties of the cork are guaranteed for a certain minimum number of years depending on the grade of cork - for example Diam 2 is guaranteed for two years; Diam 3, 5 and 10 are also available.
The Champagne cork is 90% agglomerate made from cork off-cuts which are ground down, cleaned, compressed and then glued together with two disks of good quality natural cork glued onto the end which protrudes into the bottle.
Natural corks harvested from the cork oak (Quercus suber) forests in Spain and Portugal have been the closure of choice for wine for the 300 years. The bark of the cork oak is stripped from mature trees every nine years. The planks are stored and then cleaned and graded before the corks are punched out of the wood. For wines destined for long-ageing, high-grade natural corks are still the closure of choice.
Cost-effective synthetic 'corks' made from food-grade plastic with a silicone coating (similar to that used on natural corks). Generally used for wines for short-term cellaring.
A glass stopper with a plastic 'O' ring which acts as an interface between the top of the bottle and the stopper, held in place by a metal, tamper-proof seal. Relatively expensive as a closure and not widely used. Can be removed by hand.
A short natural or agglomerate cork with a plastic or wooden top to enable the stopper to be removed by hand. Traditionally used for whiskies, sherries, Madeira etc.
Aluminium alloy screwcaps made with an expanded polyethylene wadding for the lining. Screwcaps are also known as ROTEs (roll-on tamper evident) or by the brand name (Stelvin is a popular brand). Widely used in Australia and New Zealand and for wines for short-term cellaring. Becoming increasingly sophisticated in terms of allowing differing levels of permeability so mimicking the properties of natural cork offering winemakers more choice depending of the style of wine being made. There is still a lack of sound data regarding the performance of screwcaps for longer-term cellaring.
This is an agglomerate cork with a disk of good-quality natural cork adhered to both ends. A reasonably priced, reliable alternative to natural cork.
This is the metal pilfer-proof cap usually used to seal beer bottles but also used in the production of Champagne and sparkling wine when wines are stored under crown cap before the dosage is added. A few producers use crown caps to seal wine bottles. Open with a standard bottle opener.
Jamie Goode has written an excellent book on the subject of closures for those wishing to find out more (Wine Bottle Closures, Flavour Press).
The Society includes the alcohol by volume percentage figure for each wine available online, in Lists and offers.
Alcohol by volume%
Units per standard bottle
We always include the abv (alcohol by volume) in our wines online, in our Lists and in our offers. Members looking to choose wines with lower levels of alcohol can now search our range by level of alcohol.
It is generally accepted that over the last 20 years or so alcohol levels in wine have been increasing. There are many reasons why, including but not limited to the vast improvement in vineyard management techniques which have resulted in healthier, riper fruit being harvested. Alcohol is a by-product of the fermentation of sugars in the grapes and the best-quality wines are made from grapes that have reached physiological ripeness (colour, flavour and tannin), and this generally happens after sugar ripeness.
There are several techniques that can be used to reduce alcohol levels but currently most strip the flavour as well as the alcohol, and we don't buy wines made in this way.
Excellent-quality wine is at the heart of everything we do at The Wine Society and balance is the single most important feature of quality. The interaction of a wine's sugar, acidity, tannin, alcohol and flavour matter more than the actual level of alcohol. A well-made wine of 14.5%, for example, will taste more balanced than an inferior-quality wine with 10% alcohol. Furthermore, alcohol levels are only a guide to a wine's fullness: a 12.5% cabernet sauvignon may feel heavier and more full-bodied in the mouth than, say, a gamay of 13.5%. Our tasting notes should be able to give you an idea of the style and fullness of an individual wine.
We are committed to promoting the responsible enjoyment of wines and spirits by providing relevant information to our members that allows you to make your own informed choices.
An additional figure used on some labels (including all our Society and Exhibition wines) is the number of (UK) units of alcohol contained in that bottle. This is simply the alcohol by volume percentage multiplied by the content (so a 13% wine in a standard 75cl bottle will have 9.7 units ).
For more information, please get in touch with us or visit drinkaware.co.uk
The Society's buyers provide recommended drink dates for all of our wines to help members decide the right time to pop the cork. As a general rule, most everyday white wines are best enjoyed within a year of purchase, and most everyday reds within two years. Certain fine wines, however, those with the right structure and balance, have the ability to evolve over time and gain complexity and finer nuances of flavour.
If the product page says:
...then our advice would be:
Should be drunk over the coming months, certainly within the year.
Ready to drink now but will keep until the year shown.
We recommend keeping longer before opening. For example, a wine will be ready to drink in 2020 but still young and will keep until 2042. It's a matter of personal taste when such wines should be drunk. Many members prefer to try the wines over many years from the opening drink date to the last to watch the wine evolve.
Within one year of purchase
A non-vintage wine that should be drunk within 12 months.
Within two years of purchase
A non-vintage wine that is ready now but will keep for two years.
Savouring the wonderfully complex and intense bouquet and flavour of a wine drank at its peak is undoubtedly one of life's greatest pleasures. As with people, the ageing process will vary from wine to wine. Over the years the wine's primary aromas of fresh fruit will develop more complicated and persistent secondary and tertiary aromas. The fruity flavours of, for example, a premier cru white Burgundy will, over time, evolve buttery, toasty and yeast aromas, or fine reds may develop coffee, cedar, tobacco, vegetal, or even 'animal' flavours as they age.
There is much pleasure to be had by experimenting with bottles at different stages of maturity; finding out how a wine evolves with age and, perhaps more importantly, establishing your own preference in terms of taste for mature wine are all part of the interest and excitement of cellaring wine.
The drinking window we provide is a guide to when the wines will be at their best. Many will favour the wines in the youthful early stages of their development; others will enjoy the wines at their most mature.
Decanting is a useful way of softening the tannins, rounding out the flavours and releasing the potential of a young wine. To find out more please visit our Serving Wine guide.
The Society's purpose-built, temperature-controlled Members' Reserves offers members access to optimum storage conditions for their wines.
For more help and advice about how best to enjoy your wines contact us via our enquiry form.
Oak plays a very important role in the production of wine throughout the world. However, the level of oak detectible in a wine can vary depending on a number of factors – for example, the age and size of the barrel and the type of oak used, as well as the length of time the wine is aged in wood. Oak also influences the structure and tannins of the final wine. For wines on our website, we use the following classifications:
This suggests that a wine has either seen no oak at all, or may have been produced using very large, old oak barrels, resulting in a wine that has no taste of oak. Expect these wines to be crisp, fruit-forward and aromatic.
Some oak has been used in the production, yet it has not been a defining factor in the style of the wine. In this instance, the oak may have played more of a part in the structure of the wine but there will still be discreet flavours associated with the use of new oak.
Wines that are defined by and known for their use of new oak. This must not be confused with a wine which is 'overly oaky' as that would purely be down to bad winemaking! We buy only wines that, we believe, use oak in a balanced and appealing way, enhancing flavour and complexity, and/or imparting structure.
How detectable oak is depends a good deal on the size of the barrel and how new it is. New oak provides a much more evident flavour and aroma and must be used carefully. The size of the barrel is important, as the smaller the barrel, the more surface area of the wine is in contact with the wood and the more flavour will be drawn out. Often, very large old oak barrels are used, which impart little or no oak flavour to the wine at all. They will still bring an extra dynamic to the final taste of a wine though, when compared to stainless steel or concrete vessels, as oak is porous and therefore lets a small amount of air into the barrel. This controlled oxidation has a positive effect on wines, softening the tannins and developing secondary flavours, all helping to add a complexity which comes with age.
There are many ways that people rate wines, whether it is on the 100 or 20 point scales, 5 stars, 3 glasses or simply thumbs up or down. The pleasure of a bottle of wine is hard to express in figures, but it does help give the memory of that wine a context, and a way of sharing your opinion with others.
In response to members' requests we have added a star rating option to the site so you can mark your favourites, or maybe those occasional less-than-welcome experiences, and make your next order easier.
You can use the 5-star rating tool to record your experiences however you wish, but if you are looking for some guidance we believe that a focus on the 'value' of the wine takes into account the quality but also the pleasure it provided, and whether it is something you would recommend to friends.