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This delicious fruity, perfumed and luscious Sauternes is made at the Dubourdieu family's small, beautifully managed estate, Cantegril. The 2015 has plenty of sweetness, balanced by lovely appetising fresh acidity.
Product Code: BW5872
View all products by Denis Dubourdieu
The late and much missed Denis Dubourdieu, who died in the summer of 2016, did more than follow his winemaking father and grandfather’s footsteps. A professor of oenology since 1987, he has been described in the past as wine’s most famous scientist, and he advised some of the greatest properties in the world, including Cheval Blanc and Yquem. His skills were highly sought after.Denis and his wife Florence ran several Bordeaux properties : Château Doisy-Daëne, Clos Floridène, Château Reynon (purchased by his father-in-law Pierre in 1958 and where Florence and Denis moved upon their marriage in 1976), Château Cantegril and Château Haura. The management of these estates now falls to Florence and his eminently capable sons, Fabrice and Jean-Jacques. As well as their legendary sweet wines, they also produce an impressive range of dry reds and whites.The Dubourdieu family owns 135 hectares of vineyards in the Sauternes, Graves, and Cadillac-Cotes de Bordeaux regions. They use a traditional ploughing system, and are committed friends of the environment: they no longer use weed killer, they fertilise the vines with organic manure, and all bud removal, trellising and leaf removal is done by hand. Their carbon footprint is a conscious issue too: they own a forest equal to the size of their vineyards as a way of repaying their debt to the land.Although there are a few notable exceptions, much of the family’s vineyards are planted on the famous Barsac red sands, composed of red clay on a limestone subsoil. This slightly porous rock stores water throughout winter that can be dispensed to the vines during summer dry spells.Clos Floridène, named after both Florence and Denis, was established in 1982 to complement Florence’s family property at Reynon and Denis’ at Doisy-Daëne. Unusually in Graves, the soil is based on limestone, which allows them to make a distinctive, floral, cabernet-based red that ages well for up to a decade and a remarkable, mineral white deserving of ageing for two to ten years. Both are excellent value.Doisy-Daëne has been owned by the Dubourdieu family since 1924. Denis' father, Pierre Dubourdieu, was one of the most original and inventive winemakers in the region, constantly experimenting, and the first on his property to make a delicious and successful dry white, Doisy Daëne Sec.Denis clearly followed in his father's footsteps: he became a professor at Bordeaux University and was acknowledged as the leading Bordeaux expert in white wine in Bordeaux. Château Reynon, which was Denis and Florence Dubourdieu’s home property, is managed and harvested, parcel by parcel, with the same care as the family's famous Sauternes, Doisy-Daëne. The vineyard at Béguey, on a gravel and clay slope overlooking the Gironde in the Entre-Deux-Mers, is planted with half red and half white grapes. No herbicides are used here, and all of the grapes are handpicked. When they moved in the vineyard was not old but was badly planted so Denis began to replant 4 hectares a year from1988. Gradually they have also replaced the cabernet and will have 10% petit verdot (first used in 2008) with 90% merlot, because petit verdot succeeds, if well-pruned, on the land at the bottom of the slope where the other grapes do not. The vineyard is on a south-facing slope overlooking the Garonne. Merlot ripens early here, as early as in Pomerol in fact.Reynon’s red wine – a blend of 82% merlot with 13% cabernet sauvignon (a figure that is gradually decreasing) and 4% petit verdot – has ripe black-fruit aromas and fresh balance, and can age for three to eight years. The white wine, with grapefruit aroma and good length, ages equally well, and is a blend of 89% sauvignon with 11% semillon. Both wines are also aged in oak, a third of which is new, which gives a rounder texture. Château Cantegril in Barsac has been the home of The Society’s Exhibition Sauternes since 2001 (it is worth remembering that all Barsac can be Sauternes, but only Barsac can be Barsac) and this lusciously sweet wine is a blend of 64% semillon, 34% sauvignon blanc and 1% muscadelle, which is aged in 25% new oak and keeps beautifully for three to ten years. Cantegril is now also the home of Fabrice Dubourdieu, who got married in 2012. In 2013 his wife gave birth to their first child – a new generation to continue and further the family’s winemaking reputation for generations to come.
Certainly the most famous sweet wine of France and probably the World, the luscious, complex wines of Sauternes owe their existence to a mould. The fungus in question is called botrytis cinerea, known to the French by the more attractive name of pourriture noble and to many others as noble rot. 25 miles south of the city of Bordeaux the confluence of the Garonne and its tributary the Ciron, in conjunction with the hilly geography of the area and sunny autumn weather, creates a misty early morning microclimate that is perfect for botrytis to begin and flourish. As the day warms up and the mist clears the botrytis is stabilised and remains in its benign form. Should damp, humid or rainy weather strike the vineyards all will be lost as botrytis transforms itself into the more pernicious grey rot, in which case no sauternes can be made. These unfortunate circumstances happen about twice a decade and add the already challenging economic environment for all but the wealthiest producers. Great pine forests to the west offer some protection from bad weather but making sauternes is a labour of love, perhaps even a labour of passion.Semillon is the principal grape, useful because its thin skin is pierced easily by the botrytis to allow it to feed on the moisture inside, concentrating the grape sugars and glycerol, and heightening the acidity. The second grape is sauvignon blanc which makes up about 25% of plantings, while the fragrant muscadelle brings up the rear. Vines are carefully pruned and tended in order to encourage development of the fungus. Once the botrytis appears it affects bunches unevenly, both in terms of the individual grapes within the bunch and across the vineyard. It is necessary for pickers to make several passes, up to ten on the best properties, to pick even single grapes as they are affected, and each vine yields only enough juice for a single glass of wine. Sometimes the harvest can take two months to complete. Is it any wonder that the best Sauternes is relatively expensive?Fermentation takes place in oak barrels and can be slow because the yeasts occasionally find the sticky, sugary juice almost overwhelming, with an ever present danger of the fermentation stopping before the desired outcome is achieved. The finished wine spends some time in barrel, during which time some evaporation is allowed, before bottling.The best terroirs are considered to be on the higher ground furthest from the Garonne and above the Ciron, where the legendary Château d’Yquem sits. Soils in the appellation are a mixture of gravel, clay and limestone, and limestone, over the communes of Sauternes, Barsac, Bommes, Fargues and Preignac. Where the soils do not offer excellent drainage systems for it have been put in place.Sauternes, and by extension Barsac, were the only wines outside of the Médoc and Château Haut-Brion to be included in the famous 1855 Classification, with Château d’Yquem preminent.PREMIER CRU SUPÉRIEURChâteau d’YQUEM - SauternesPREMIERS CRUSChâteau LA TOUR BLANCHE - Sauternes. Château LAFAURIE-PEYRAGUEY - Sauternes. Clos HAUT-PEYRAGUEY – Sauternes. Château de RAYNE VIGNEAU - Sauternes. Château SUDUIRAUT – Sauternes. Château COUTET - Barsac. Château CLIMENS – Barsac. Château GUIRAUD - Sauternes. Château RIEUSSEC - Sauternes. Château RABAUD-PROMIS - Sauternes. Château SIGALAS RABAUD - SauternesSECONDS CRUSChâteau de MYRAT - Barsac. Château DOISY DAËNE - Barsac. Château DOISY-DUBROCA - Barsac. Château DOISY-VÉDRINES - Barsac. Château d’ARCHE - Sauternes. Château FILHOT - Sauternes. Château BROUSTET - Barsac. Château NAIRAC - Barsac. Château CAILLOU – Barsac. Château SUAU - Barsac. Château de MALLE – Sauternes. Château ROMER du HAYOT - Sauternes. Château ROMER – Sauternes. Château LAMOTHE - Sauternes. Château LAMOTHE-GUIGNARD - SauternesLess exalted sweet wines are made across Bordeaux. Much of it is produced, unlike wines affected by botrytis, by stopping fermentation through the use of sulphur dioxide, chilling the fermenting must and sterile filtration. These wines are often labelled moelleux and they can be very mediocre. Such wines can be labelled as Bordeaux Supérieur, Graves Supérieur, Côtes de Bordeaux-Saint-Macaire, Côtes de Bordeaux-Sainte-Foy and Premier Côtes de Bordeaux. Some appellations where botrytis wines are made and which can rival good sauternes are Sainte-Croix-du-Mont, Cadillac, Cérons and Loupiac. For this latter group, depressed prices in comparison with the wines of Sauternes and Barsac, have led some producers to abandon the expensive botrytis method and to make sweet wines more cheaply by following the methods of the less exalted practitioners mentioned above. Those prepared to invest the time, effort and money into making use of their terroir and the conditions it offers can make characterful, botrytis affected wines.
"In addition to strong reds, I like sweet white Sherry. This is nothing like sherry but I was very very pleased."
I would recommend this wine
There are no press reviews for this product.
Surrey Advertiser (13th Feb 2015)
"A blend of 65% Semillon, 34% Sauvignon Blanc and 1%
Muscadelle with a quarter of the wine having been aged in new oak barrels (225
litre barriques, about 300 bottles). I recommend that you crack open a bottle
with the [roast fruit] samosas [with cardamom scented vanilla ice cream] but if
you want to leave a couple of bottles in your cellar you can as this golden
wine has the depth of flavour and balance (that’s the important balance of
fruit, acidity and alcohol) to age beautifully for up to five years. - John Downes"
Belfast Newsletter (7th Feb 2015)
and delightfully complex. - Raymond Gleugh"
Belfast Sunday Life (28th Dec 2014)
"This lovely bottle of light golden liquid is rich and
delicious. It has glorious aromas of sweet fruit. - Paula Gracey"
Birmingham Mail (20th Dec 2014)
"A shoo-in with salty
cheeses, or a favourite dessert. There's nose-dip aromas of dried honey and
pithy orange zest; yes, it's sweet to taste but the dryness of fruit peel
persists to counterbalance. - Jane Clare"
The Press Association (13th Dec 2014)
"A blend of citrus and
exotic fruits on the nose, this light, silky sauternes has good minerality and
honeyed guava and passion fruit notes. Perfect to accompany traditional
Christmas. - Sam Wylie Harris"
"Love this wine. Great value for taste delivered."
Mr Jamie Anderson (13-Sep-2014)
"On Christmas day this gorgeous wine accompanied my daughter's home made Christmas pudding and my partner's brandy sauce (made with just a tad too much Remy Martin perhaps!). This was about as near to heaven as I'll ever get.
Mr John Garner (30-Dec-2013)
House & Garden (1st Nov 2013)
"Honeyed, sweet …
opulent … (to match Caroline Barty's caramelised biscuit custard with roasted
pears) - Joanna Simon"
"This Sauternes has excellent balance between the luscious sweetness and fruit so that it goes very well with a plum crumble. Excellent value for money."
Mr David Wallace (15-Apr-2012)
"This was perfect after Christmas dinner - syrupy, dense tropical fruit flavors. Extremely sweet, but not cloying. Strongly recommended."
Mr Matthew Robison (18-Jan-2012)
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We do moderate comments and reviews, purely to ensure that content published on The Wine Society's website is of value to members, and is fair and balanced. We're delighted to say that in the vast, vast majority of cases, our members' input is just that! We will normally approve comments for publication as long as they:
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The Society's wine buyers work very closely with our suppliers to determine how best to seal our wines. We list below those closures currently in use with a brief description of each.
A technical cork made up of the remnants from the production of natural corks which are ground down into particles and cleaned and then combined using a food-grade polyurethane glue. A cheaper closure which The Society's buyers discourage suppliers from using.
A technical cork made from cheaper-grade natural cork where the naturally occurring pores are filled with ground down cork particles and then the whole is sealed with a food-grade wax coating. Generally only used for wines with a short shelf-life.
Diam corks look like agglomerate corks but are far superior and are designed to put an end to cork taint and random oxidation. The production process chops cork into pieces and sorts the superior, highly elastic, suberin component from the less elastic lignin, which is discarded. It mixes the suberin with microscopic spheres of the same substance used for contact lenses, which fills the voids between the cork particles reducing porosity to air and increasing elasticity without introducing humidity. Finally the pieces are mixed with a glue and moulded under pressure. The mechanical properties of the cork are guaranteed for a certain minimum number of years depending on the grade of cork - for example Diam 2 is guaranteed for two years; Diam 3, 5 and 10 are also available.
The Champagne cork is 90% agglomerate made from cork off-cuts which are ground down, cleaned, compressed and then glued together with two disks of good quality natural cork glued onto the end which protrudes into the bottle.
Natural corks harvested from the cork oak (Quercus suber) forests in Spain and Portugal have been the closure of choice for wine for the 300 years. The bark of the cork oak is stripped from mature trees every nine years. The planks are stored and then cleaned and graded before the corks are punched out of the wood. For wines destined for long-ageing, high-grade natural corks are still the closure of choice.
Cost-effective synthetic 'corks' made from food-grade plastic with a silicone coating (similar to that used on natural corks). Generally used for wines for short-term cellaring.
A glass stopper with a plastic 'O' ring which acts as an interface between the top of the bottle and the stopper, held in place by a metal, tamper-proof seal. Relatively expensive as a closure and not widely used. Can be removed by hand.
A short natural or agglomerate cork with a plastic or wooden top to enable the stopper to be removed by hand. Traditionally used for whiskies, sherries, Madeira etc.
Aluminium alloy screwcaps made with an expanded polyethylene wadding for the lining. Screwcaps are also known as ROTEs (roll-on tamper evident) or by the brand name (Stelvin is a popular brand). Widely used in Australia and New Zealand and for wines for short-term cellaring. Becoming increasingly sophisticated in terms of allowing differing levels of permeability so mimicking the properties of natural cork offering winemakers more choice depending of the style of wine being made. There is still a lack of sound data regarding the performance of screwcaps for longer-term cellaring.
This is an agglomerate cork with a disk of good-quality natural cork adhered to both ends. A reasonably priced, reliable alternative to natural cork.
This is the metal pilfer-proof cap usually used to seal beer bottles but also used in the production of Champagne and sparkling wine when wines are stored under crown cap before the dosage is added. A few producers use crown caps to seal wine bottles. Open with a standard bottle opener.
Jamie Goode has written an excellent book on the subject of closures for those wishing to find out more (Wine Bottle Closures, Flavour Press).
Alcohol by volume%
Units per standard bottle
The Society includes the alcohol by volume percentage figure for each wine available online, in Lists and offers.
It is generally accepted that alcohol levels in wine have been increasing in the last 20 years. There are many reasons why, but the single most important factor is the vast improvement in vineyard management techniques which have resulted in healthier, riper fruit being harvested. Alcohol is a by-product of the fermentation of sugars in the grapes and the best-quality wines are made from grapes that have reached physiological ripeness (colour, flavour and tannin), and this generally happens after sugar ripeness.
There are several techniques that can be used to reduce alcohol levels but currently most are intrusive and strip flavour as well as alcohol and we don't buy wines made in this way. In actual fact, more than half of our still table wines have an abv of 13% or less. Members looking to choose wines with lower levels of alcohol can now search our range by level of alcohol.
Excellent-quality wine is at the heart of everything we do at The Wine Society and balance is the single most important feature of quality. The interaction of a wine's main components of sugar, acidity, tannin, alcohol and flavour matter more than the actual level of alcohol. A well-made wine of 14.5%, for example, will taste more balanced than an inferior-quality wine with 10% alcohol. Furthermore, alcohol levels are only a guide to a wine's fullness: a 12.5% cabernet sauvignon may feel heavier and more full-bodied in the mouth than, say, a gamay of 13.5%. Members should refer to the wine's tasting note for a description of the style and fullness of the wine.
The Society is committed to promoting the responsible enjoyment of wines and spirits by providing relevant information to our members that allows them to make their own informed choices. An additional figure is beginning to be used on labels: the number of (UK) units of alcohol contained in that bottle. This is simply the alcohol by volume percentage multiplied by the content. Thus a 13% wine in a standard 75cl bottle will have 9.7 units of alcohol. All new labels of Society and Exhibition wines will include this information. drinkaware.co.uk
The Society's buyers provide recommended drink dates for all of our wines to help members decide the right time to pop the cork. As a general rule, most everyday white wines are best enjoyed within a year of purchase, and most everyday reds within two years. Certain fine wines, however, those with the right structure and balance, have the ability to evolve over time and gain complexity and finer nuances of flavour.
If the product page says:
...then our advice would be:
Should be drunk over the coming months, certainly within the year.
Ready to drink now but will keep until the year shown.
We recommend keeping longer before opening. For example, a wine will be ready to drink in 2020 but still young and will keep until 2042. It's a matter of personal taste when such wines should be drunk. Many members prefer to try the wines over many years from the opening drink date to the last to watch the wine evolve.
Within one year of purchase
A non-vintage wine that should be drunk within 12 months.
Within two years of purchase
A non-vintage wine that is ready now but will keep for two years.
Savouring the wonderfully complex and intense bouquet and flavour of a wine drank at its peak is undoubtedly one of life's greatest pleasures. As with people, the ageing process will vary from wine to wine. Over the years the wine's primary aromas of fresh fruit will develop more complicated and persistent secondary and tertiary aromas. The fruity flavours of, for example, a premier cru white Burgundy will, over time, evolve buttery, toasty and yeast aromas, or fine reds may develop coffee, cedar, tobacco, vegetal, or even 'animal' flavours as they age.
There is much pleasure to be had by experimenting with bottles at different stages of maturity; finding out how a wine evolves with age and, perhaps more importantly, establishing your own preference in terms of taste for mature wine are all part of the interest and excitement of cellaring wine.
The drinking window we provide is a guide to when the wines will be at their best. Many will favour the wines in the youthful early stages of their development; others will enjoy the wines at their most mature.
Decanting is a useful way of softening the tannins, rounding out the flavours and releasing the potential of a young wine. To find out more please visit our Serving Wine guide.
The Society's purpose-built, temperature-controlled Members' Reserves offers members access to optimum storage conditions for their wines.
For more help and advice about how best to enjoy your wines contact us via our enquiry form.
Oak plays a very important role in the production of wine throughout the world. However, the level of oak detectible in a wine can vary depending on a number of factors – for example, the age and size of the barrel and the type of oak used, as well as the length of time the wine is aged in wood. Oak also influences the structure and tannins of the final wine. For wines on our website, we use the following classifications:
This suggests that a wine has either seen no oak at all, or may have been produced using very large, old oak barrels, resulting in a wine that has no taste of oak. Expect these wines to be crisp, fruit-forward and aromatic.
Some oak has been used in the production, yet it has not been a defining factor in the style of the wine. In this instance, the oak may have played more of a part in the structure of the wine but there will still be discreet flavours associated with the use of new oak.
Wines that are defined by and known for their use of new oak. This must not be confused with a wine which is 'overly oaky' as that would purely be down to bad winemaking! We buy only wines that, we believe, use oak in a balanced and appealing way, enhancing flavour and complexity, and/or imparting structure.
How detectable oak is depends a good deal on the size of the barrel and how new it is. New oak provides a much more evident flavour and aroma and must be used carefully. The size of the barrel is important, as the smaller the barrel, the more surface area of the wine is in contact with the wood and the more flavour will be drawn out. Often, very large old oak barrels are used, which impart little or no oak flavour to the wine at all. They will still bring an extra dynamic to the final taste of a wine though, when compared to stainless steel or concrete vessels, as oak is porous and therefore lets a small amount of air into the barrel. This controlled oxidation has a positive effect on wines, softening the tannins and developing secondary flavours, all helping to add a complexity which comes with age.
There are many ways that people rate wines, whether it is on the 100 or 20 point scales, 5 stars, 3 glasses or simply thumbs up or down. The pleasure of a bottle of wine is hard to express in figures, but it does help give the memory of that wine a context, and a way of sharing your opinion with others.
In response to members' requests we have added a star rating option to the site so you can mark your favourites, or maybe those occasional less-than-welcome experiences, and make your next order easier.
You can use the 5-star rating tool to record your experiences however you wish, but if you are looking for some guidance we believe that a focus on the 'value' of the wine takes into account the quality but also the pleasure it provided, and whether it is something you would recommend to friends.